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In early 2002, the National Arts Journalism Program invited art critics at general-interest news publications around the country to complete an online questionnaire about their backgrounds, educational credentials, work habits, tastes and opinions on issues concerning art in America today. The survey's 169 critics -- drawn from 96 daily newspapers, 34 alternative weeklies and 3 national news magazines -- write for a combined audience of approximately 60 million readers. Fisher Rs 717 Manual Dexterity. The findings suggest that although art critics have carved out important roles at many publications, criticism is struggling to keep up with the swift evolution of the art world.
In early 2002, the National Arts Journalism Program invited art critics at general-interest news publications around the country to complete an online questionnaire about their backgrounds, educational credentials, work habits, tastes and opinions on issues concerning art in America today. The survey's 169 critics -- drawn from 96 daily newspapers, 34 alternative weeklies and 3 national news magazines -- write for a combined audience of approximately 60 million readers. The findings suggest that although art critics have carved out important roles at many publications, criticism is struggling to keep up with the swift evolution of the art world. Access Notes.
Data Type(s): survey data Data Collection Notes: Jeremy Simon and Larry McGill contributed to this study. The National Arts Journalism Program (NAJP) collected data for this survey. This data collection was previously distributed by the Cultural Policy and the Arts National Data Archive (CPANDA). The CPANDA Identification Number (study number) is a00052. CPANDA conducted the following processing steps for release of this collection: produced a codebook, checked for undocumented codes, performed consistency checks, provided frequencies, performed recodes, and reformatted the data. Coverpro Keygen For Mac. The following notes were provided by CPANDA upon their distribution of this data collection: • Although there are 169 critics in the total survey sample, there are 170 records in the database. One respondent generated two records; these 2 records are CASEID 105 and 170.
There are no instances of this respondent supplying a different answer in CASEID 105 as compared to CASEID 170; there are instances where only one record has a response and the other record is blank (i.e., no response). It appears that when both records have responses, these responses were used in calculating the distributions appearing in The Visual Art Critic and its supplementary data.
• The [data frequency distributions may not] always match the distributions appearing in The Visual Art Critic or its supplementary data. [According to CPANDA,] discrepancies between these distributions may be the result of typographic errors, rounding methodology, interpretation of survey responses, etc. CPANDA performed many processing steps for confidentiality reasons and data cleaning purposes. Users should review the CPANDA Data Issues and Steps section of the ICPSR Codebook. Responses to some of the open-ended questions were too lengthy to retain in the dataset. Responses to questions 21, 27, 30, 31, 32, 34, 50, 51, and 52 are available in the Appendix in the ICPSR Codebook for this data collection. Due to limitations in Stata, the original open-text REVIEW variable was divided across V24OPEN1_1 and V24OPEN1_2 variables created by ICPSR.